Arvo Paert: Te Deum Discount
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DISC: 1
| 1. Te Deum |
| 2. Ein Wallfahrtslied (Version For Male Chorus And String Orchestra) |
| 3. Berliner Messe (1997 Revised Version): Kyrie |
| 4. Berliner Messe (1997 Revised Version): Gloria |
| 5. Dopo La Vittoria |
| 6. Berliner Messe (1997 Revised Version): Credo |
| 7. Berliner Messe (1997 Revised Version): Sanctus |
| 8. Berliner Messe (1997 Revised Version): Agnus Dei |
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On this latest BR-KLASSIK recording of sacred music by Estonian composer Arvo Pärt (b. 1935), the regularly award winning Chor des Bayerischen Rundfunks, conducted by Peter Dijkstra, is joined by the Münchner Rundfunkorchester, a frequent occurrence in their concert series that regularly include sacred music from the 19th through the 21st c. The present three compositions were written in 1984 and 1990 in the composer’s own tintinnabulation style of composition (from the Latin word for the ‘ringing of bells’). In his Te Deum, Pärt makes a conscious departure from the traditionally powerful and festive sound of such precursors as Charpentier, Bruckner and Verdi. The restraint of the Wallfahrtslied (Pilgrims’ Song), a setting of Psalm 121, evokes the ancient Judeo-Christian tradition of psalm recitation. The Berliner Messe (Berlin Mass) is so named because it was first performed in the city’s St. Hedwig’s Cathedral (1990) to mark the German Katholikentag (Catholics Day).



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