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DISC: 1
| 1. Violin Concerto In A Minor, P. 75 "All'antica" (Ed. S. Di Vittorio): I. Allegro |
| 2. Violin Concerto In A Minor, P. 75 "All'antica" (Ed. S. Di Vittorio): II. Adagio Non Troppo |
| 3. Violin Concerto In A Minor, P. 75 "All'antica" (Ed. S. Di Vittorio): III. Vivace – Tempo Di Minuetto – Tempo I |
| 4. Ancient Airs & Dances, Suite No. 1, P. 109: I. Balletto Detto "Il Conte Orlando" |
| 5. Ancient Airs & Dances, Suite No. 1, P. 109: II. Gagliarda |
| 6. Ancient Airs & Dances, Suite No. 1, P. 109: III. Villanella |
| 7. Ancient Airs & Dances, Suite No. 1, P. 109: IV. Passo Mezzo E Mascherada |
| 8. Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana |
| 9. Ancient Airs & Dances, Suite No. 3, P. 172: II. Arie Di Corte |
| 10. Ancient Airs & Dances, Suite No. 3, P. 172: III. Siciliana |
| 11. Ancient Airs & Dances, Suite No. 3, P. 172: IV. Passacaglia |
| 12. Ancient Airs & Dances, Suite No. 2, P. 138: I. Laura Soave. Balletto Con Gagliarda, Saltarello E Canario |
| 13. Ancient Airs & Dances, Suite No. 2, P. 138: II. Danza Rustica |
| 14. Ancient Airs & Dances, Suite No. 2, P. 138: III. Campanae Parisienses – Aria |
| 15. Ancient Airs & Dances, Suite No. 2, P. 138: IV. Bergamasca |
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Ottorino Respighi was in the vanguard of the 20th-century rebirth of Italian symphonic music. Famed for his Roman Trilogy, Respighi was also prominent in the synthesis of pre-Classical melodic styles and late-Romantic harmonies and textures. These are the elements that make the Ancient Airs and Dances so captivating and expressive, as Respighi draws on dances by 16th-century composers to brilliant effect. The Concerto all’antica is an early, beautifully poetic work that again draws on ancient styles, in a recording that uses the first printed critical edition of the work by Salvatore Di Vittorio, published in 2019.





