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Fantasia Baroque – Improvisations on Works By Bach Special Discount

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SKU: SK0006566-US20260105-083122 Category: Tag:
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DISC: 1

1. Ciaccona Improvvisata Per La Madonna Di Grodowiec (After A. Bertali)
2. Sonata For 2 Harpsichords In D Minor: I. (Allemanda)
3. Sonata For 2 Harpsichords In D Minor: II. Adagio
4. Sonata For 2 Harpsichords In D Minor: III. (Allegro)
5. Sonata For 2 Harpsichords In E Minor: I. (Allegro)
6. Sonata For 2 Harpsichords In E Minor: II. (Andante)
7. Sonata For 2 Harpsichords In E Minor: III. (Giga)
8. Sonata For 2 Harpsichords In C Major: I. (Andante)
9. Sonata For 2 Harpsichords In C Major: II. (Adagio)
10. Sonata For 2 Harpsichords In C Major: III. (Allegro)
11. Sonata For 2 Harpsichords In C Minor: I. (Fuga)
12. Sonata For 2 Harpsichords In C Minor: II. (Siciliano)
13. Sonata For 2 Harpsichords In C Minor: III. (Allegro)
14. Partita-Improvisation: I. Toccata
15. Partita-Improvisation: II. Allemanda
16. Partita-Improvisation: III. Corrente
17. Partita-Improvisation: IV. Al Tempo Di Sarabanda
18. Partita-Improvisation: V. Giga
19. Fantasia In F-Sharp Minor, Wq. 67, H. 300
20. Concerto-Improvisation: I. Allegro
21. Concerto-Improvisation: II. Grave
22. Concerto-Improvisation: III. Allegro Assai

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Until the 18th c. The boundaries between improvisation and interpretation were fluid. Soloists were able to create the musical material out of the intermediate and transitional parts of a composition freely, off the cuff. On ‘Fantasia Baroque’, Aleksandra and Alexander Grychtolik play the music in their own way, based partly on figured bass and partly on harmonic structures. Mr. And Ms. Grychtolik are skilled practitioners of virtuosic keyboard music of the 17th -18th c. and the integration of improvisational elements within these works in recordings and concert performances.