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SKU: SK0493575-US20260105-083122 Category: Tag:
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1. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): O Beatum Cujus Anima
2. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): Tota Pulchra Es, Amica Mea
3. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): Aurora Lucis Rutilat
4. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): Exurge Gloria Mea
5. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): Venite Filii Audite Me
6. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): Ego Autem Sum Vermis
7. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): Dulcis Amor Jesu
8. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): Introduxit Me Rex
9. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): Iste Est Ioannes
10. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): Alma Redemptoris Mater
11. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): O Quantum Tibi Debeo
12. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): Ave Maria Virgo Gratiosissima
13. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): Salve Regina
14. Sacri Concerti A Voce Sola Con La Partitura Per L'organo (Excerpts): Quem Vidistis Pastores

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Carlo Filago, though he was a multifaceted musician, was mainly a talented organist. In 1623 he won the competition for the assignment as first organist at S. Marco in Venice outperforming valid competitors: responsible for S. Marco’s Cappella was at that time no less than Claudio Monteverdi. Contemporary documents confirm his ability and praise his “florid style” and his “inimitable virtuosity”. The collection of the Sacri Concerti a voce sola, published in Venice in 1642, is a typical example of the Venetian motet, a musical form that has given us countless collections containing precious musical gems (such as La Ghirlanda Sacra, [tc.620080] and I Sacri Musicali Affetti by Barbara Strozzi [tc.611990]). The author’s intent to adhere to the ancient style of the Monteverdi “prima prattica” is well done by the Ensemble Les Nations, led by Maria Luisa Baldassari and including the leading voice of Arianna Lanci, Elena Bianchi’s dulciana, and the participation by alto Marcella Ventura, by tenor Giovanni Cantarini, and by Pedro Alcacer on the theorbo.

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