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Ghosts Of Hamlet Don’t Miss Out
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Ghosts Of Hamlet Don’t Miss Out

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SKU: SK0251649-US20260105-083122 Category: Tag:
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DISC: 1

1. Ambleto~Act II. Scene
2. Son sdegnato (e son geloso)
3. Ambleto~Act I. Scene
4. Nella mia sfortunata prigionia
5. Sinfonia Op. 5 No. 6 in G minor~I. Allegro
6. Sinfonia Op. 5 No. 6 in G minor~II. Andante
7. Sinfonia Op. 5 No. 6 in G minor~III. Allegro
8. Ambleto~Act III. Scene
9. Tu indegno sei dell’allor
10. Ambleto~Act I. Scene 6: Stelle, voi che de’ regnanti
11. Ambleto~Act I. Scene 1
12. Segui ad amar costante
13. Sinfonias (17)~Sinfonia in D minor. I. Presto
14. Sinfonias (17)~Sinfonia in D minor. II. Minuet
15. Ambleto~Act I. Scene
16. Nella mia sfortunata prigionia
17. Ambleto~Act III. Scene
18. D’ire armato il braccio forte
19. Symphony or Overture in Hamlet in C major (from L’Ambleto (London 1712) pasticcio)~I. Andante
20. Symphony or Overture in Hamlet in C major (from L’Ambleto (London 1712) pasticcio)~II. Presto
21. Symphony or Overture in Hamlet in C major (from L’Ambleto (London 1712) pasticcio)~III. Andante
22. Symphony or Overture in Hamlet in C major (from L’Ambleto (London 1712) pasticcio)~IV. Presto
23. Ambleto~Act II. Scene
24. Cinto d’amiche rose un dì crescea
25. Ambleto~Act II. Scene
26. Più fido non poss’io
27. Ambleto~Act I. Scene
28. Tromba in campo e spada in guerra

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Ambleto is a fascinating curiosity in music history: a baroque libretto by Apostolo Zeno on the legend of Hamlet, not based on Shakespeare’s tragedy but on it’s primary source, the Gesta Danorum by Saxo Gramaticus. This swashbuckling drama has been first set to music by Francesco Gasparini (Venice 1705) – whose version served as the basis for a pasticcio (London 1712) with arias by various composers including Handel – then by Domenico Scarlatti (Rome 1715) and Giuseppe Carcani (Venice 1743). The surviving arias from these lost operas are brought back to life by the Concert de l’Hostel Dieu and the charismatic soprano Roberta Mameli, who lends her supple voice to the titular Danish Prince and to the strong women around him, his courageous lover Veremonda (Shakespeare’s Ophelia) and his tormented mother Gerilda (Gertrude).

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