Holiday Sale Piano Trio 3 / 65
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| 1. Piano Trio No. 3 In F Minor, Op. 65, B. 130: I. Allegro Ma Non Troppo |
| 2. Piano Trio No. 3 In F Minor, Op. 65, B. 130: II. Allegretto Grazioso |
| 3. Piano Trio No. 3 In F Minor, Op. 65, B. 130: III. Poco Adagio |
| 4. Piano Trio No. 3 In F Minor, Op. 65, B. 130: IV. Finale. Allegro Con Brio |
| 5. Piano Trio No. 4 In E Minor, Op. 90, B. 166 "Dumky": I. Lento Maestoso – Allegro Quasi Doppio Movimento |
| 6. Piano Trio No. 4 In E Minor, Op. 90, B. 166 "Dumky": II. Poco Adagio – Vivace Non Troppo |
| 7. Piano Trio No. 4 In E Minor, Op. 90, B. 166 "Dumky": III. Andante – Vivace Non Troppo |
| 8. Piano Trio No. 4 In E Minor, Op. 90, B. 166 "Dumky": IV. Andante Moderato – Allegretto Scherzando |
| 9. Piano Trio No. 4 In E Minor, Op. 90, B. 166 "Dumky": V. Allegro – Meno Mosso |
| 10. Piano Trio No. 4 In E Minor, Op. 90, B. 166 "Dumky": VI. Lento Maestoso – Vivace |
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Dvorak had an ambivalent relationship with Classical and Romantic traditions, something that is clearly exemplified in his piano trios. The Piano Trio in E minor, Op. 90 is a daring late work that uses popular moods and freer forms consisting of six Dumky – a melancholic and poetic musical form that draws from the composer inexhaustible melodic creativity. The Piano Trio in F minor, Op. 65 was influenced by the death of the composer’s mother and also by Dvorak having heard Brahms’ Piano Quintet, Op. 34, a work composed in the same key. Cyclic elements and fiery drama permeate the writing. “Individually excellent, they are even more impressive together”, wrote the Gazzetta di Mantova after a concert by the Italian-Swiss Trio des Alpes, thereby describing one of this Trio’s essential qualities: three independent, all-round successful personalities meeting as a trio. What attracts them is the quintessence of chamber music: dialogue, a shared sound and the blending of three instruments into a single whole.





