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Music In Golden-Age Florence 1250-1750 Free Shipping

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SKU: SK0252694-US20260105-083122 Category: Tag:
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DISC: 1

1. O levita nobilis Eugeni
2. Ogne homo
3. Vergine donzella imperadrice
4. I’ vo’ bene
5. Nella più cara parte
6. Manfredina – La rotta della Manfredina
7. Astio non mori mai
8. Verbum caro factum est
9. Umil madonna
10. Poichè il tuo cor
11. Adieu Florens la yolye
12. In mijnem sin
13. Ne più bella di queste
14. Iesù sommo conforto
15. Donna, el pianto et la mia doglia
16. Sacerdos et pontifex
17. Sacerdos et pontifex
18. Ricercar del Primo Tuono del Zazzerino
19. I’vo piangendo i miei passati tempi
20. Mentre con mill’amori
21. Nasce la pena mia
22. Nasce la pena mia (intavolato)
23. Stabat mater dolorosa
24. Se nelle voci nostre
25. Godi turba mortal
26. Fuga Secunda à 4
27. Si bona suscepimus
28. Aria di Firenze
29. pastorella mia spietata e rigida
30. Aria di Fiorenza
31. Quando il sol apparisce
32. Aria di Fiorenza
33. Cantate Domino
34. Io parto lasso
35. Aria di Fiorenza
36. Splendete serene
37. Di quel nudo pargoletto
38. Aria di Fiorenza – La Rotta – Saltarel
39. Salviata
40. Sull’affricane arene
41. Preludio Cantabile con Ligature
42. Aria alla Francese
43. Passacagli Pastorali
44. Pastorale
45. Canzona
46. Al Post Comunio
47. All’Elevazione
48. All’Offertorio
49. Pastorale mezza bigia

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This double album accompanies the eponymous book by Anthony M. Cummings, Music in Golden-Age Florence, 1250-1750 (University of Chicago Press, Chicago & London 2023). They are designed to enable readers and listeners to enter the sound world of late-medieval and early-modern Florence. Despite the enviable place Florence occupies in the historical imagination, it’s music-historical importance is not as well-understood as it should be. Yet if Florence was the city of Dante Alighieri, Niccolò Machiavelli, Michelangelo Buonarroti, and Galileo Galilei, it was also the birthplace of the Renaissance madrigal, opera, and the piano. Our goal in assembling this set of recordings, which survey the principal surviving genres of music in Florence in the half-millennium between c. 1250 and c. 1750, was to provide a “virtual” evocation of the extraordinary musical culture of golden-age Florence, one of unsurpassed importance. Through the integration of the contents of the book and the CDs, and leveraging text, image, musical notation, and sound, we offer our listeners the possibility of a fascinating metaphoric time travel.