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DISC: 1
| 1. Fantaisie, Op. 79 (Arr. For Flute & String Sextet) |
| 2. Fantaisie (Arr. For Flute & String Sextet) |
| 3. Andantino & Andante: I. Andantino (Arr. For Flute & String Sextet) |
| 4. Allegretto Grazioso & Allegretto Scherzando: I. Allegretto Grazioso (Arr. For Flute & String Sextet) |
| 5. Fantaisie-Caprice (Arr. For Flute & String Sextet) |
| 6. Divertimento (Arr. For Flute & String Sextet): I. Toccatina |
| 7. Divertimento (Arr. For Flute & String Sextet): II. Notturno |
| 8. Divertimento (Arr. For Flute & String Sextet): III. Perpetuum Mobile |
| 9. Divertimento (Arr. For Flute & String Sextet): IV. Romanza |
| 10. Divertimento (Arr. For Flute & String Sextet): V. Finale |
| 11. Aria (Arr. For Flute & String Sextet) |
| 12. Suite De Trois Morceaux, Op. 116 (Arr. For Flute & String Sextet): I. Allegretto |
| 13. Suite De Trois Morceaux, Op. 116 (Arr. For Flute & String Sextet): II. Idylle |
| 14. Suite De Trois Morceaux, Op. 116 (Arr. For Flute & String Sextet): III. Valse |
| 15. Aria (Arr. For Flute & String Sextet) |
| 16. Fantaisie Brillante Sur "Carmen" (Arr. For Flute & String Sextet) |
| 17. 2 Pièces: No. 1, Danse Pour Une Déesse (Arr. For Flute & String Sextet) |
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“Theobald Böhm revolutionised the flute in the middle of the 19th century. He changed it’s form and mechanics and constructed it from metals, which gave the flute a more flexible sound and new tone colors while enabling a more brilliant technique. The new flute inspired many composers, particularly in France at the beginning of the era of Modernism, which brought with it a variety of new compositional styles. With this album, I first and foremost wanted to draw attention to the panoply of compositional styles and to demonstrate how profound and full of character this music is. I would like to transcend the limits of the original instrumentation for flute and piano with my own arrangements. I want to create an entirely new sound experience and, by using the expressive capabilities of string instruments, reveal the repertoire’s full potential of colors. As such, the album offers a rich palette of styles and colors.” (Nathanael Carré)





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