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Reduced Price Die Kleine Kammermusik

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SKU: SK0254428-US20260105-083122 Category: Tag:
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DISC: 1

1. Partita No. 1 In B-Flat Major, Twv 41:B1: I. Con Affetto
2. Partita No. 1 In B-Flat Major, Twv 41:B1: II. Presto
3. Partita No. 1 In B-Flat Major, Twv 41:B1: III. Dolce
4. Partita No. 1 In B-Flat Major, Twv 41:B1: IV. Vivace
5. Partita No. 1 In B-Flat Major, Twv 41:B1: V. Largo
6. Partita No. 1 In B-Flat Major, Twv 41:B1: VI. –
7. Partita No. 1 In B-Flat Major, Twv 41:B1: VII. Allegro
8. Partita No. 2 In G Major, Twv 41:G2: I. Siciliano
9. Partita No. 2 In G Major, Twv 41:G2: II. Allegro
10. Partita No. 2 In G Major, Twv 41:G2: III. Allegro
11. Partita No. 2 In G Major, Twv 41:G2: IV. Vivace
12. Partita No. 2 In G Major, Twv 41:G2: V. Affettuoso
13. Partita No. 2 In G Major, Twv 41:G2: VI. Presto
14. Partita No. 2 In G Major, Twv 41:G2: VII. Tempo Di Minue
15. Partita No. 3 In C Minor, Twv 41:C1: I. Adagio
16. Partita No. 3 In C Minor, Twv 41:C1: II. Presto
17. Partita No. 3 In C Minor, Twv 41:C1: III. Vivace
18. Partita No. 3 In C Minor, Twv 41:C1: IV. Vivace
19. Partita No. 3 In C Minor, Twv 41:C1: V. Allegro
20. Partita No. 3 In C Minor, Twv 41:C1: VI. Vivace
21. Partita No. 3 In C Minor, Twv 41:C1: VII. Presto
22. Partita No. 4 In G Minor, Twv 41:G2: I. Grave
23. Partita No. 4 In G Minor, Twv 41:G2: II. Allegro
24. Partita No. 4 In G Minor, Twv 41:G2: III. Allegro
25. Partita No. 4 In G Minor, Twv 41:G2: IV. Tempo Di Minue
26. Partita No. 4 In G Minor, Twv 41:G2: V. Allegro
27. Partita No. 4 In G Minor, Twv 41:G2: VI. A Tempo Giusto
28. Partita No. 4 In G Minor, Twv 41:G2: II. Allegro Assai
29. Partita No. 5 In E Minor, Twv 41:E1: I. Andante
30. Partita No. 5 In E Minor, Twv 41:E1: II. Vivace
31. Partita No. 5 In E Minor, Twv 41:E1: III. Presto
32. Partita No. 5 In E Minor, Twv 41:E1: IV. Vivace
33. Partita No. 5 In E Minor, Twv 41:E1: V. Siciliana
34. Partita No. 5 In E Minor, Twv 41:E1: VI. Vivace
35. Partita No. 5 In E Minor, Twv 41:E1: VII. Presto
36. Partita No. 6 In E-Flat Major, Twv 41:Es1: I. Affettuoso
37. Partita No. 6 In E-Flat Major, Twv 41:Es1: II. Presto
38. Partita No. 6 In E-Flat Major, Twv 41:Es1: III. Vivace
39. Partita No. 6 In E-Flat Major, Twv 41:Es1: IV. Tempo Di Ciaccona
40. Partita No. 6 In E-Flat Major, Twv 41:Es1: V. Allegro
41. Partita No. 6 In E-Flat Major, Twv 41:D6: VI. Allegro
42. Partita No. 6 In E-Flat Major, Twv 41:D6: VII. Tempo Di Minue
43. Cello Sonata In D Major, Twv 41:D6: I. Lento
44. Cello Sonata In D Major, Twv 41:D6: II. Allegro
45. Cello Sonata In D Major, Twv 41:D6: III. Largo
46. Cello Sonata In D Major, Twv 41:D6: IV. Allegro

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Telemann published the Kleine Kammermusik in 1716 in Frankfurt: his second published collection, intended for performance equally with violin or flute. His preface indicates that these pieces share a light and cantabile style particularly tailored to amateur performers on their respective instruments, with relatively narrow intervals in the solo part. Nonetheless, their unfailingly stylish melodies invite performance by professionals such as this trio of Italian musicians, experienced in period-instrument performance and with a catalogue of distinguished albums on Brilliant Classics to their credit. The dance movements in each of the six Partitas are quintessential Telemann: brief, unaffected by false intensity even in the three minor-key works, always infused with a lively appreciation of harmony, beautifully proportioned structures and voice-leading that enables each voice of the counterpoint to be heard at any point. Telemann himself advertised the lack of chromaticism with charming candor: ‘I also cultivated the brevity of the Arias, partly to preserve the energy of the performer and partly to avoid boring the listener’s ears due to the length… Finally, I have tried to present something that could meet everyone’s taste.’ In this it can be conclusively said that he succeeded. The most recent collaboration of these fine musicians was a Brilliant Classics album of recorder sonatas by Marcello, Vivaldi and Bellinzani (96052) which attracted critical praise both for the rarity of the repertoire and the idiomatic finesse of the performances.