Vienna 1913 Bulk Order
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DISC: 1
| 1. Sonata for Clarinet and Piano in F Minor, Op. 5~I. Leidenschaftlich bewegt (Allegro con brio) – Etwas ruhiger – Tempo I |
| 2. Sonata for Clarinet and Piano in F Minor, Op. 5~II. Gemütliches Tanzzeitmaß (Molto commodo) – Trio. Viel ruhiger (Molto meno m |
| 3. Sonata for Clarinet and Piano in F Minor, Op. 5~III. Ruhig behend (Andante espressivo) |
| 4. Sonata for Clarinet and Piano in F Minor, Op. 5~IV. Entschlossen (Allegro energico, alla marcia) |
| 5. Four Pieces, Op. 5, for Clarinet and Piano~No. |
| 6. Mäßig |
| 7. Four Pieces, Op. 5, for Clarinet and Piano~No. |
| 8. Sehr langsam |
| 9. Four Pieces, Op. 5, for Clarinet and Piano~No. |
| 10. Sehr rasch |
| 11. Four Pieces, Op. 5, for Clarinet and Piano~No. |
| 12. Langsam |
| 13. Sonata for Clarinet and Piano No. 1 in F Minor, Op. 120~I. Allegro appassionato |
| 14. Sonata for Clarinet and Piano No. 1 in F Minor, Op. 120~II. Andante un poco Adagio |
| 15. Sonata for Clarinet and Piano No. 1 in F Minor, Op. 120~III. Allegretto grazioso |
| 16. Sonata for Clarinet and Piano No. 1 in F Minor, Op. 120~IV. Vivace |
| 17. Einfache Lieder, Op. 9~No. |
| 18. Liebesbriefchen |
| 19. Abschiedslieder, Op. 14~No. |
| 20. Sterbelied |
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The years 1900-1914 were perhaps the most thrilling period in European music history: the cradle of what we now call musical Modernism. This was the time when the great “avant-garde schools” took shape: in Paris, Berlin, Saint Petersburg, and particularly in Vienna. Music branched out into a multitude of aesthetics, styles, and genres, as we can see in in the variety of terms that attempt to describe art in that period: Impressionism, Expressionism, Art Nouveau, Neo-Classicism, Foklorism, Late Romanticism, Symbolism, and others. Our program selection for this album focuses on two works written in Vienna in 1913 – the “summer of the century”, as author Florian Illies calls a pivotal year that put an end to the long 19th century and introduced the somber 20th century. The two works are Alban Berg’s Four Pieces for Clarinet and Piano op. 5 and Egon Kornauth’s Sonata for Clarinet and Piano. 1913 was the year of several “scandalous” premieres: Schoenberg’s Gurrelieder, Berg’s Altenberglieder, Stravinsky’s Rite of Spring, and others that were less scandalous: Debussy’s Images pour Orchestre, Max Reger’s Isle of the Dead, Sibelius’s Luonnotar, de Falla’s La vida breve, and Richard Strauss’s Festliches Präludium.


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